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Brian Sands
Hometown:
NYC
Photo Gallery
(16 images)
Stage Credits:
A *
....
Waiting
(6/2012)
Carlo LaRocca *
....
Totally Dysfunctional: The Best Of Where Y'At
(11/1998)
Alf Bergan
....
Mr. Bloom And The Cyclops
(6/1992)
*=leading role
Offstage Credits:
Playwright
....
Secrets, the Musical
(2/2013)
Playwright
....
The Sitter
(10/2012)
Playwright
....
Champagne & Insurance
(1/2012)
Playwright
....
Gemma & Jack
(1/2012)
Director; Playwright
....
Coming and Going
(10/2011)
Playwright
....
Ernest and Ethel
(7/2011)
Playwright
....
The Black Cat
(4/2011)
Producer
....
Ambie Awards for 2010
(2/2011)
Writer
....
6x6
(1/2011)
Playwright
....
PROSPERITY
(1/2011)
Playwright
....
YUMMY
(11/2010)
Playwright
....
Heaven & Hell
(10/2010)
Playwright
....
STANLEY TODD: The Demon Barber of Desire Street
(8/2010)
Playwright
....
One Foot On, One Foot Off
(7/2010)
Producer
....
Ambie Awards for 2009
(2/2010)
Playwright
....
The Thing About It – A New Musical
(1/2010)
Writer - Original Book
....
Southern Rep New Play Bacchanal
(1/2010)
Producer
....
Ambie Awards for 2008
(2/2009)
Director; Playwright
....
Roi C. Noggin
(4/2008)
Producer
....
Ambie Awards for 2007
(2/2008)
Playwright
....
Love at the Lounge
(10/2007)
Director; Playwright
....
17 BLOCKS
(4/2007)
Producer
....
Ambie Awards for 2006
(2/2007)
Producer
....
Ambie Awards for 2005
(2/2006)
Director; Playwright
....
MORE
(3/2005)
Director; Playwright
....
Eat Pudding
(1/2004)
Director; Playwright
....
Landscape With Figure
(2/2003)
(10/2002)
Original Music; Lyricist; Book
....
Lagniappe
(2/2001)
Playwright
....
All Night Service
(5/1992)
Playwright
....
Two Second Lieutenants in the Russian Imperial Army
(4/1989)
Stage Awards and Nominations:
TWO SECOND LIEUTENANTS IN THE RUSSIAN IMPERIAL ARMY, 2nd runner-up, CAC Playwriting Competition 1989, Des McAnuff, judge
MORE, First Honorable Mention, Moving Arts' 13th Annual One-Act Competition, 2006
Non-stage credits:
The Group (Sidney Lumet, director)
To Tell The Truth
The $20,000 Pyramid
The MacNeil/Lehrer Report
The Angela Hill Show
COPS